A Brief History of The Balmoral School
By George Balderose
Executive Director
Perhaps the best place to begin the history of the Balmoral Schools is with the "Bobs of Balmoral", pipers R.U.Brown and R.B. Nicol, in whose honor we derive our name. They served as pipers at the Balmoral Estate in
During the school's second decade (1988-98), the staff expanded significantly with the addition of Ian McLellan, B.E.M., Mike Cusack, Alasdair Gillies, as well as Jimmy Anderson, George Balderose, Maureen Connor, Nancy Crutcher-Tunnicliffe, Norman Gillies, Ronnie Lawrie, Jack Lee, James MacColl, Iain MacDonald, Donald MacPhee, Joyce McIntosh, Harry McNulty, Gordon Mooney, Ian Morrison, Jackie Pincet, and Scot Walker. Since the mid-90's drumming instructors have included Andy White, J. Reid Maxwell, Gordon Bell, and Bert Barr.
It should be noted that from 1979 to 1988, there were at least two separate entities producing summer piping sessions that involved Jim McIntosh and which used "
In 1990 we incorporated "The Balmoral School of Highland Piping, Inc." under the laws of the
The school's mission is: "Exclusively organized for charitable and educational purposes including the preservation and promotion of bagpipe music and its related musical activities." The Board of Directors consists of George Balderose (Executive Director); Maureen Connor (Board Member); Mike Cusack (Advisory Board); Alasdair Gillies (Advisory Board); Don Hillier (Treasurer); Jonathan King (Chairman); Jim McIntosh, M.B.E.(Advisory Board); Joyce McIntosh (Advisory Board); and Bill Shipley (Board Member).
In 1993 instruction in smallpipe playing was added to the curriculum of all of the then existing Balmoral sessions:
Over the past 23 years hundreds of piping and drumming students in the Eastern and
Besides administrating summer piping sessions, the
The Balmoral Schools have been a wonderful experience and a privilege to be involved with. I feel very fortunate to have been able to bring together motivated students and top quality instructors to improve the standard of piping in this country. I also feel doubly fortunate to have been able to learn and improve my own piping musicality and teaching methods in the process. While I never met the "Bobs of Balmoral", their students, who themselves have been a deep source inspiration to me, carry the torch of piping knowledge high. May the light of the "Bobs of Balmoral" shine forever.